Meet the Reef!

Perspective Society (December 2, 2022 to May 21, 2023)

For the first exhibition perspective (society), the curator team has worked with the Senckenberg Youth Council, various national and international NGOs (non-government organizations), and other relevant actors on different specific issues. Besides the fact check about coral reefs, there is also a station where questions on the reef ecosystem can be asked. The questions are answered by researchers at the scientific project partner, the Leibniz Center for Marine Tropical Research (ZMT) and shown in the exhibition. 
 
Curated by Lisa Voigt (Senckenberg) and Christina Höfling (Senckenberg) 
With contributions by: rrreefs, Reef Check e.V. and KŌRERO O TE `ŌRAU;  Senckenberg Jugendbeirat, Cynthia Julca (through the Leibniz Programm Next Generation) 
 
Transformer creator: Markus Zimmermann
Graphic design: Studio Kraus Lazos 

Perspective Fine Arts (June 2, 2023 to January 15, 2024)

For the second perspective in “Meet the Reef!” the artists Linda Weiß and Nina M.W. Queissner have been invited to develop an artistic installation combining sound and sculpture.
Their installation “Looking for Medusa” takes the visitors on a journey across past, present, and future mythologies. Its starting point is in antiquity: Based on Ovid’s narrative about the origin of coral, the installation explores possible relations between different ecosystems and mythologies, or understandings of how we humans locate ourselves holistically in the world and the cosmos. By imagining an experimental habitat for speculative coral creatures the artists are asking how corals might be able to exist in future times. The visitors are invited to explore the working process of artistic research and are encouraged to engage with their own stories and questions.
 
Curated by Lisa Voigt (Senckenberg) and Ellen Wagner
 
With artworks by Nina Queissner und Linda Weiß 

With many thanks to MeWa Store, Darmstadt

Perspective Research (February 2, 2024 to July 11, 2024)

This perspective also focused on the threat to and protection of the fragile ecosystem. Together with scientists from the Centre for Tropical Marine Research (ZMT, Bremen), the museum team developed an exhibition concept that shows different areas of everyday research work. From the desk to the research aquarium to a dive to the reefs of the Solomon Islands in the South Pacific, experts provide an insight into their day-to-day work. What do we know about the state of coral reefs worldwide and what does this mean for the future of corals?

Until July 2024, the exhibition invited visitors to discover approaches and methods such as modeling, ecological and social science field research and the use of the latest technologies. In addition to the latest scientific findings, the researchers also shared what is important to them personally regarding the threat situation and the protection of the reefs. After the perspectives “Society” and “Art”, “Research” was the third and final format in the series.

Curated by Lisa Voigt (Senckenberg), Christina Höfling (Senckenberg), Dr. Sebastian Ferse (ZMT), Annette Breckwoldt (ZMT)

Background

Innovative and flexible presentation of current topics in a permanent exhibition

As a research museum, the Senckenberg Natural History Museum is continuously working on new exhibition and presentation formats in order to strengthen the dialogue and exchange with its visitors. This makes it possible to incorporate the visitors’ interests into the exhibitions through innovative and flexible presentation formats. The approach of “research-based curation” is being studied and further developed here as part of the BMBF research project “Temporary Permanence” together with the German Institute for Adult Education – Leibniz Center for Lifelong Learning (DIE) in Bonn and the Leibniz Centre for Tropical Marine Research (ZMT) in Bremen. With this approach, the museum team takes on the curatorial challenges of responding to current issues by making short-term adjustments to permanent exhibitions, incorporating the perspective of society, and reflecting on their own working methods. The making of an exhibition thus becomes an experiment in itself, outside of familiar and discipline-defined working methods and processes. The museum’s self-image as an institution receives new impulses and forms the basis for the central question – what a research museum could look like in the future. Research projects such as this one therefore also constitute an integral part of the remodeling process of the Senckenberg Natural History Museum.

The project “Temporary Permanence” is funded by the German Federal Ministry of Education and Research (BMBF) and runs until December 2024.

The German Institute for Adult Education – Leibniz Center for Lifelong Learning (DIE) in Bonn and the Leibniz Center for Tropical Marine Research (ZMT) in Bremen are cooperating institutions.